TOTP 80.3 17/01/1980

Repeat showing: 29.01.2015

pic: @DamoIRL

Presented this week by the rather more irksome Simon Bates (turn that collar down man!), and a show which must hold the record for the highest number of non-chart or low-placed songs. Most of the big movers had already been featured last week (KC, Nolans, Dollar), while other high climbers were now falling in the post-Xmas lull. Plenty of room then for some new sounds. Let's get cracking:

Bee Gees - Spirits Having Flown (chart rundown)
In at no. 26, the title track from the eponymous album which had been released almost a year earlier. Wiki informs that it was released as single in conjunction with the Bee Gees Greatest album which had come out before Christmas, and furthermore was the last Top 40 hit the band had in the UK for almost eight years. I can believe that.

New Musik - Living By Numbers
And new music it was indeed, brought to you by Tony Mansfield and his band. Peter Powell had announced "the sound of the eighties" two weeks ago although perhaps this really was the first hint of the new electronic-based pop music we would soon be seeing the likes of in the new decade. A spritely sing-along tune with a catchy synth-riff, electronic snare drum sound, but backed with skin-and-bone drummer and guitars. Still outside the charts at this point, it would become their biggest hit.

Billy Preston & Syreeta - With You I'm Born Again
Here we go again. This hadn't been on last week so it was one of the few high-flyers who were on this week. Justifiably so as it was already at no. 2.

Sad Café - Strange Girl
Another non-charter by 'a band from Manchester' although a far cry from fellow citizens Joy Division and Buzzcocks. The song is actually a bit pervy: "Little girl who lives down the lane...".. eh? Their previous single Every Day Hurts had been a hit although this one failed to make the Top 30. "Sad" on many levels.

Sister Sledge  - I've Got to Love Somebody
More sadness here too I'm afraid which is a shame as their 1979 hits (look 'em up) have become disco classics. Seeing this rather shabolic studio performance makes you realise we were at the fag end of the genre however, and probably just as well.

Madness - My Girl
It would seem that there's always room for Madness in the 1980's TOTP line-up and this studio performance repeat makes them the most featured band and song to date, making it onto the playlist for three weeks running. The nutty boys from Camden had at this point made it to no. 4.

Positive Force - We've Got the Funk
Back to disco again, more's the pity, with this number which was just on the threshold of the Top 30. Signed to the Sugarhill label, these "two young ladies" (sic.) had made a contribution to the Sugarhill Gang's Rapper's Delight hit, also in the charts. Despite getting the studio audience animated, this TOTP performance did little to help their no. 32 chart position

Dexy's Midnight Runners - Dance Stance 
I'm sure there's a wonderful story about how Dexy's ("some people from Birmingham") first got onto TOTP without yet being in the charts, although I have failed to find anything along those lines. But it's a significant debut nonetheless, and good to know that TOTP producers still kept their eye on the 'alternative' scene. Dance Stance only made it to aplatry no. 40, although they'd do better next time.

Doctor Hook - Better Love Next Time
From the sublime to the ridiculous. TOTP couldn't keep this 'alternative' nonsense up for too long though and it's back to repeat showing of this frankly embarassing maracas-shaking performance. The song had shot up to 14 from no. 13. Groan.

Amii Stewart - Paradise Girl
Here's an interesting one. Although better known for her disco hits Knock on Wood and Light My Fire, Amii tones things down a bit (although not in the costume dept.9 with this little number, which sadly time seems to have forgotten. Artificial tweets aside, the song highlights Ms. Stewarts vocal talents with a live performance. The song scrpaed into the Top 40 the following week, deserved to do better.

Styx - Babe
Judging by the promo-film this hairy lot were obviously already hugely popular in 'the States'. Thankfully, this would be their only UK hit.

Booker T. - Green Onions 
Bates' appreciation of 'little dresses' and sexist nuance towards Legs & Co. was embarassing enough at the time, so now it all seems just so wrong. However, the in-house dance troupe do indeed seem to have modelled their mises on Thereza Bazar's fetching number from last week in order to showcase the vintage ska-esque number of the moment. Impeccable as ever, perhaps it would have been even more effective if they'd filmed it in black and white.

Rupert Holmes - Pina Colada Song
Another low placed number is given the prime prior-to-the-number-one spot. And just because this is number 1 in 'the States' it also has to be inflicted upon us. The raised platform / spiral staircase is put to full use for this dreary anti-health food song. Actually called 'Escape' (but who really cares?), it would hang around the charts for an unhealthy seven weeks.

Pretenders - Brass in Pocket 

pic: Like Punk Never Happened

New Number 1! No more Pink Floyd! Hurrah! The combined efforts of (The) Pretenders, Madness, KC and Preton/Syreeta had brushed away the cobwebs from the post-Christmas lull knocking The Floyd, Abba and, yes, Fidler's Dram down a few notches. A repeat studio performance for the Herefordians plus one in their moment of glory, but no-one's complaining. Although not strictly UK home-grown, Chrissie Hynde was "our" Debbie Harry for a bit. You can't get more English than 'brass' in the sense of 'money' though. Said Hynde of her lyrics (in Smash Hits). "I don't want to tell you what they're about because what they're about is what they sound like to you". Whatever you say, miss.


Jon & Vangelis - I Hear You Now (closing credits)
More early-electronica sublimeness from the edges of the Top 30 and it makes for nice closing music with those very special TOTP lens/lights effects. Fun fact: Vangelis (né Evangelos Odysseas Papathanassiou) auditioned for (Jon) Anderson's band Yes in 1974, but was turned down.

See you next week.

Full chart here: Offical Chart Company

TOTP 80.1 03/01/1980

It's appropriate that the first show of 1980 was introduced by fresh-faced Radio 1 DJ Peter Powell. As a relative youngster (28 at the time) Powell had his roots in the sixties and seventies but also had his finger on the pulse of newer music and would go on to champion many of the new pop acts of the early eighties. But on with the show..

The Clash - London Calling (chart rundown)
The single was stable at no. 29, which may not have put it in good stead in TOTP terms, but it was an appropriate opener to the decade by one of the more commercially successful punk bands and the song which definitely summed up of the mood of the time. It would go on to reach a peak no. 11 position two weeks later. The eponymous album had been released shortly before Christmas 1979 and would become a classic of the genre and the period. As far as I know the Clash never actually went on TOTP.

Madness - My Girl
The first new TOTP performance proper of the eighties, appropriately featuring the large '1980' numbered background. Madness had already become successful with two top 20 singles in the second half of '79 (One Step Beyond reaching  no. 7 in November) and with this instantly likeable new single they could do no wrong.

Paul McCartney - Wonderful Christmastime (promo)
Definitely a festive 'left-over', about as appealing as cold turkey sandwiches on December 28th, but Macca's synthy Christmas single had gone up one place to no. 6, post-Chrimbo. It would plummet the week after despite this last ditch attempt to push it at the January sales.

Pretenders - Brass in Pocket
This is more like it - melodic pop with a 'new-wave' feel and a slinky 'post-punk' female vocalist to go with it! The single had already rocketed up to no. 5 and would indeed go on to do even better.

David Bowie - John I'm Only Dancing (promo)
Correct title: John I'm Only Dancing (Again), this was a 'left-over' form the seventies in more ways than one. Originally released in 1972, the song was remixed and revived apparently in order to up Bowie's sales, after the moderate success of late 70s singles DJ and Boys Keep Swinging, and to cash-in somewhat on the current dance/disco craze (hence its release also as an 'extended version' on 12"). The single was featured here as a promo-film, and did little to up the songs chart success as it would remain stable at no. 12 the week after. But no matter, Bowie would go on to do much greater things later in the year.

( - the BBC programme website list three songs here which were not featured on the repeat broadcast. I'd be interested to know if these were actually featured on the original broadcast.)

Kurtis Blow - Christmas Rappin'
More left-over turkey and, oh dear, it would also seem to be a Christmas song that time forgot. It may have been groundbreaking in its genre but one gets the impression that the UK/TOTP public was hardly ready for it. A non-chart feature, it disappeared without a trace after this showing.

Billy Preston & Syreeta - With You I'm Born Again
More music from Motown, or thereabouts, although this ballad would fare much better than the above mentioned rappin'. Released at the end of 1979, it was a new entry at no. 24. Apparently from the soundtrack of the film Fast Break (apparently) although I doubt that had much to do with its success. Like it or not, we'll be hearing a lot more of this in the coming weeks.

Chic - My Feet Keep Dancing (Legs & Co,)
Staying with our American cousins, more disco fodder here, as interpreted by in-house dance troupe Legs & Co. Not Chic's best-known song, and indeed it would be their last UK chart hit of a long run which had begun over two years earlier. A steady climber at no. 21, the song would slowly drop back down the charts, notwithstanding Legs & Co.'s admirable interpretation.

Dr. Hook - Better Love Next Time
As was often the case with the first song featured in each programme's running-list (see My Girl above) the song before the Number 1 was usually a new non-chart song, presumably because maximum audience attention would be at the show's opening and  just before the no. 1 (did people just tune in to see who was no. 1?). Anyway it's more American faux-country 'n' western  MOR this week with Union City's finest sons Dr. Hook (formerly Dr. Hook & The, er, Medicine Show). They had enjoyed a UK No. 1 single just a month earlier with When You're In Love With a Beautiful Woman, and although this follow-up and the subsequent Sexy Eyes would also fare well, their UK chart days were numbered.

Pink Floyd - Another Brick in the Wall (Pt. 2) (promo)
And so to the this week's Number 1, the first of the eighties. Ironically it was the Floyd who had knocked the above mentioned Dr. Hook off the top spot in the second week of December 1979, continuing to stay there for some time. There's no doubting Another Brick in the Wall's now legendary status, although far from being a standard pop single, this extract from the concept album The Wall remains one of British pop history's most unlikely hits. Presumably it was the "we don't need no edu-cay-shun" chant, inspired, unsurprisingly, by Alice Cooper's School's Out hit, which appealed to many young record buyers across the land. Despite Pink Floyd's 'rock dinosaur' label, if anything it goes to show that it was the British artists (rather than the Americans) who were producing the most interesting and innovative music at the time (see Clash / Madness / Pretenders above).

Rose Royce - Is It Love You're After (closing credits)
As if to prove my last point, it's back to the yawnsome Motown-y ballads to ease us out of the programme. Not time for bed just yet though: White Rock is on next, so we can enjoy the "thrills, skill and immense courage of the (Winter) Olympic heroes".

See you next week.