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Showing posts with label David Bowie. Show all posts
Showing posts with label David Bowie. Show all posts

TOTP 80.43/1 25/12/80

First shown on BBC 1 on Christmas Day, 1980
Presented by Jimmy Savile and Peter Powell

not repeated by BBCFour in 2015

...so a huge thanks to Manorak for posting the show on vimeo, and thanks - as ever - to Popscene for the running order. Basically it's a 'The Best of [insert year here]' Christmas Day special, with lots of hits to keep everyone awake during the postprandial blow out and before The Queen comes on.

The Nolans - I’m In The Mood For Dancing


Dexy's Midnight Runners - Geno


Blondie - Atomic


Paul McCartney - Coming Up


Barbara Streisand - Woman in Love


Liquid Gold - Dance Yourself Dizzy


David Bowie - Ashes to Ashes


Marti Webb - Take That Look Off Your Face




(..having trouble with blog-tags so splitting this post into two..)

TOTP 80.37 13/11/80

First broadcast 13/11/80
Repeated on BBCFour from 05/11/2015
Presented by Simon Bates
Full chart here.

Preview then:

Iron Maiden  - Women in Uniform
"..they're playing live tonight.." and indeed at least from the vocal it seems as if they really are playing live. Or perhaps it is only the (lead) vocal. Since when did that happen? Anyway, like the man said: new entry at no. 35. Catch them in Uxbridge and Redcar.

David Bowie - Fashion (video)
"..a beautiful thing from the Top Ten.." Thing? Does he mean the video or Bowie or what? Anyway indeed  it is the "film" - at last - for The Dame's newest hit. Not as weird as the Ashes to Ashes one, but in true Bowie you've never seen anything quite like this before.



After calling a young girl in spectacles "four eyes" (look who's talking) Simes presents those two other smarmy creeps from Doctor Hook to hype their new album called 'Razzy' or something. It did rubbishly so Capitol had to rush out a Greatest Hits album to compensate.

Gladys Knight & the Pips - Bourgie Bourgie
Speaking of rubbish American MOR here's a final blast from the 70s for this lot. Another low entry (like iron Maiden) so we do seem to be scraping the barrel a bit this week, n'est-ce pas? This gotone place higher before disappearing into oblivion.

Simes has a handful of new albums ready for Christmas, including the Abba one in case he didn't mention it. But wait here's Bolton's finest comedian who could crush grapes like no other.


Chart rundown 30-20, then

John Lennon - (Just Like ) Starting Over (Legs & Co.)
Still can't comment on thsi one without getting a bit weepy, but suffice to say here's a pretty amazing dance routine from ver Legs, which starts off very minimalist-Japanese, presumably as a homage to Yoko Ono, and then suddenly each pair of Legs is in a differen get-up doing a bit of a jig each on a separate stage. One can't help feeling they were all 'improvising'. Just a little.

Chart rundown 19-11

Liquid Gold - The Night, The Wine and The Roses
Another one form the 30-40 bracket. Pretty rubbish UK-disco as usual although I can't help feeling they would've done better had they emerged circa 1985. Although perhaps they were just as influential on 80s music as, say, David Bowie? Discuss.

Spandau Ballet - To Cut a Long Story Short
"Have a listen to this!" The sound of a new, young Britain no less in the form of Spandau Ballet's TOTP debut. Hot on the heels of Adam & the Ants' debut a few weeks back, here is another new band with funny clothes, perhaps just a touch of make-up and a brand new sound for the nations' dancefloors. Way down at no. 43 but this would shock the record-buying public into getting them up to no. 19 next week, positively p*ssing over all the rest. Plus they have decent haircuts. "I've a feeling we're going to be hearing a lot from these bright young things in the years to come" (he said in a Simes voice).



Abba - Super Trouper
I'd love to know how many had tuned in to see this 'film' for the first time but actually preferred watching Spandau Ballet instead, but no matter as Abba were already at their peak and the record-buying public had been hotly anticipating this new one, and the ensuing album. It is indeed the highest 'jumper' up to no. 13 from nowhere. Feelin' like a (Christmas) no. 1? Possibly.

Top Ten countdown .. 



Blondie - The Tide is High
"A new number one and a great lady" - so what do you know Simes? And just what is it about putting the words "Number One" in your song lyrics these days? Is that in the hope of actually getting to number one? Well it might well be cos this is where Blondie are this week, and a million miles from, say, 'Rip Her to Shreds'. The video is a complete shambles and one wonders what they were 'on' when they made it. Better than Barbara Streisand though.





"Special" guests all reunited on the stage for the party in funny hats outro, the pervily titled:

Young & Company – I Like (What You’re Doing To Me)

See you next week! (sort of..)







TOTP 80.35 30/10/80

First broadcast 30/10/80
Repeated on BBCFour from 29/10/2015
Presented by Peter Powell
Guest presenter Colin Berry
Full chart here.

We open up the show with the party already in full swing, with loads of balloons and not a drop of Babycham in sight. Peter Powell in full-smug mode on, light blue T shirt and with him (in dark blue T shirt) is, er, Colin Berry. Who? Apparently some posh geezer from Radio 2 who has been 'getting up early'. How interesting. On with the show please...



Adam and the Ants - Dog Eat Dog
Second performance from Adam and his mates who are up to no. 13 and prepare for world domination. It's a pity they're on first as all the rest is made to look even more rubbish than it actually is.
Watch me Daddy-o!

Odyssey - If You're looking For a Way Out
Boring song, sung by boring people in boring video. Boring. (cit. Rick the Student). At no. 6, obviously.

Bad Manners - Special Brew
Slightly less boring although ska really was reaching its end surely? You know the score - lots of nuttiness and the big fat bloke in a grass skirt. Redeemed only by the ace line "I wanna spend all my money on you". One place above Odyssey and the last we'll see of them for a bit.

David Bowie - Fashion (Legs & Co.)
New in at 20 and Peter Powell shows us he really knows his stuff by telling us the full title of the latest Bowie album. We'll see the proper video for this in a couple of weeks time although while we're waiting for The Dame to make it, here's the luvvly Legs strutting their stuff, although sadly the cameras remain frustratingly distant from the stage/catwalk.


Beep beep!
Sheena Easton - One Man Woman
Our Sheen has been busy making a video for this one so she didn't have to bother about going to the TOTP studio too often. Not a great song but the whole look and feel of it is very Eighties. But that's the only redeeming (max) factor I'm afraid as the song is a bit rubbish. At no 17 but will peak next week at only 14.

I'm sure Phil Oakey is watching this.

Olivia Newton John & Cliff Richard - Suddenly
Oh dear. More dreariness from this perhaps unlikely couple. This is another one from Xanadu although Olivia did more interesting things on that album/film/concept with ELO. This dirge was written by John Farrar who'd also done better things for Olivia on Grease. They'd better hurry up and get physical, physical...

Showaddywaddy - Why Do Lovers Break Each Other's Hearts 
Or indeed why do a band like Showaddywaddy continue to have hits and appear on Top of the Pops? Not very Eighties at all, aside form the coloured streak in the singer's hair. At no. 22 but I don't think we'll ever see them on the Pops again. And why after seeing this do I get the impression they might have been a (closet) gay band? Never mind..

Oh it's Top 10 countdown already.

It's eight fifteen...

Barbara Streisand - Woman in Love
It's the third slow ballad (yawn) of the night but this is obviously way ahead of the rest. At number one for the second (of three) weeks in fact.


Don't forget to order your special T-shirts from the Radio Times and we'll see you next week as the TOTP-Tardis whooshes forward in time! Byeeeee!!

TOTP 80.26 28/08/80

BBCFour repeat here.
Full chart here.

Presented by Peter Powell and B.A. Robertson

pic: popscene

Well we're back off our holidays but there are cases to be unpacked, washing to be done and plants to be watered so just a quick run-through this week.

First of all I'd just like to reiterate my view that B.A. Robertson is/was a burke and is/was never funny. Peter Powell was always a bit borderline embarrassing, but usually redeemed by his tastes in music. Not so this time I'm afraid. On with the show...

Ok well it's the usual 'preview' which interestingly puts the two promo videos (David Bowie and Gary Numan - oooh the irony) up first followed by a few other minor acts.

The Barracudas - Summer Fun
It's the novelty band up first of course, in true TOTP tradition. An appropriate choice as it's already late August and probably raining. Equally appropriately, this got nowhere.

Gary Numan - I Die: You Die
More summer fun! Not! Gazza's back with another new single, and like its predecessor We Are Glass is not from the forthcoming album. Ergo his millions of fans rushed out and bought the 7"(*) and made it a new entry at no. 8. Promo video only of course in which Gary sits in his car (where he feels safest of all), lurks in front of a microphone and wanders down dark and empty corridors. I can't hide my love of this track but the video is totally cringe-worthy and dates it incredibly, as most videos do, turning Gaz into a parody of himself. (*lovely piano version of Down in the Park on the B side btw).

The Selecter - The Whisper
In which Pauline has evidently abandoned her boy-ish sharp black suit 'n' trilby in favour of a more Thatcher-esque affair, although she continues to bounce around a lot like the rest of the band. Some kind of attempt to bring the ska sound into the 80s? Oh dear.

Mike Berry  - The Sunshine of Your Smile
"Whereof one cannot speak, thereof one must be silent." - Ludwig Wittgenstein.

The Skids - Circus Games
Oh still about, are they? Actually I've always quite liked The Skids so nice to see them back on, and with a good tune too. More smart clothing in an attempt to 'modernise' their image, although I must confess I preferred their 'modernist' look. This made no. 32 and so possibly their last appearance on the Pops. Question: Why is Jobson sucking his finger at the beginning of this?

Elton John - Sartorial Eloquence
Former TOTP guest-presenter Reg really was struggling at this point in his career and this kind of dirge with such a difficult title wasn't getting him anywhere either. But as we well know he was one of those 70s artists who would go on to re-invent themselves for the eighties. Hang on in there Reg.

Sue Wilkinson - You've Got to be a Hustler...
Second Pops performance for Sue and pals and she's been tarted up a fair bit this time, spandex 'trousers' 'n' all that, making her a kind of raunchy Sheena Easton, if you will. The keyboardist has even tried to copy her look. Still struggling at no. 25 though and got no higher.

Ian Dury & the Blockheads - I Want to Be Straight
Another throwback to the late 70s (see The Selecter, Skids above) and frankly the geezer's past his best. Obviously on some kind of post-70s hangover/hiatus, Dury confesses that he wishes to turn over a new leaf, and stop misbehaving himself. Nobody believed a word of it of course.

Village People - Can't Stop the Music
Yet more late 70s stuff still dragging on through .. Where are the eighties?????

Judas Priest - United
So after Village People what do you get? Judas bleedin' Priest! Lots of leather and Marshall amps and a singer looking like he'd much rather be somewhere else. The kids seem to be enjoying it, but oh my God .. what a very disappointing show this has turned out to be.

Top 10 rundown and then...

David Bowie - Ashes to Ashes
Thank Goodness for that! Sir David has come to save us all by letting us hear something modern and eighties and showing Gary Numan how a video should be made in this day and age. Second and final week at no. 1 (oops, spoiler) but the legacy lives on.

OK, end of a rather abysmal show, and it's the customary 'let the kids go mad on stage' moment. Thank you B A Robertson for nothing.

The Beat  - Best Friend
A bit of quality ska to play out on, although of course it was the other A side 'Stand Down Margaret' that was selling the single.

A show hardly worth coming back off our holidays for; things can only get better. Can't they? See you next week, sort of.

TOTP 80.25 21/08/80

BBCFour repeat here.
Full chart here.

In true 1970's/early 80's being on holiday and not having a telly therefore missing TOTP on Thursday night style I was again on holiday last week without a telly (in the year 2015 tut!), and so duly missed Thursday's show. So I've called in guest reviewer Gaztronix to give this week's Pops the once over.
Over to you Gaz!....

***********************************************************

Presented by Steve Wright with a youthful looking Sir Clifford of Richard* by his side all Smashy n Nicey
pic: popscene


We kick off with the Nick Straker Band and massive European holiday song A Walk In The Park. The guy in charge of TOTP FX is having a bit of a freeze-frame meltdown. Mr Straker has the most amazing hair - I'm sure it's inspired a Mighty Boosh skit or two.

Back to Steve n Cliff with some repartee on Sheena Easton. Easton, performing Modern Girl, has thankfully dropped the look that made her look like Gary Numan's younger sister and had opted for a style best described as 'Disco Sue Lawley'. Fair do's. There is a synth solo in this song - it's amazingly bad even for 1980 - I had to play it again. It was THAT bad.

Just Steve now - maybe Clifford has gone to check with his portrait in the attic. We get given what we get which is a video of The Jam performing 'Watch You Give Is What You Get.' Proper 80s vid it is too - intense staring at bright lights through Venetian blinds (what was it about the early 80s Venetian blinds phase?) (ed. the song title is actually 'Start!')

Smashy has gone, so we get Nicey Sir Cliff who looks a lot like Mike Read. Not Runaraaaaaaaahnd Mike Read but Frankie-smashing, slightly racist song writing for UKIP Mike Read. And exclusively for TOTP - Cliff has gone all mockney - well, he's drifting towards mockney, innit. That Cliff eh? Any more of this mockney malarkey and he might go the full Danny Baker. I'll keep you updated. And who's Triff introducing? Why it's only Cliff...sorry Shakin' Stevens. I genuinely can't tell you what the song is called, but he keeps shrieking 'Marie' so I'm guessing it's that. Cliff...Shakey is in Teddy Boy Hot Pink and is performing all on his lonesome tonight - a few fifties moves, hair the glistens and love for the mic stand. (ed. the song title is actually 'Marie Marie')

Back to Wright now and whassat Steve? Legs and Co? Ok. Dancing to what!? The Clash!? Yep - it's Legs and Co - dancing to Bankrobber by The Clash. All stripes, leotards and cages. If the English National Ballet did this, it be classed as 'challenging'. But as it's Legs and Co - no one bats an eyelid.

Smashy n Nicey are back together again. A little bit of Mockney from Smashy and only a smattering this time from Nicey. Oh and Elvis impersonations as the next tune is a bit of Rock n Roll from Shak...no hang on - it's Billy Joel and It's Still Rock n Roll To Me. It's a pop video, so I'm ignoring it to let you know that the best version of It's Still Rock n Roll To Me was performed by Laptop sometime in the late 90s. Seriously - dig it out. Joel gets chopped as soon as the sax solo starts to kick in - wise move Mr. BBC editor bloke - cheers!

Right back with Wright now and the countdown 30-11. Up next it's Hazel O'Connor. Ah at last - it's the eighties with Eighth Day. All that Rock N Roll had me worried for a minute. There is better work by O'Connor - honest, there is - but this isn't it. Cartoon new wave synth sounds are just the half of it - I haven't even got started on the lyrics yet. If Queen had been this melodramatic it would've raised eyebrows. Hey ho - the audience lap it up. And fair do's as it does bounce along a fair rate, O'Connor is an engaging performer and they have just been subjected to large amounts of throwbacks to the fifties.

Sir Cliff now - almost back to normal - only 10% on the mockneyometer.

It's The Piranhas and Tom Hark - one of those jaunty faux Caribbean things that you wished you'd never heard but later gets adopted by the terraces. Odd really, as its lyrics are actually an anti-nuclear war song! Yep - it's political! Not that you'd know from the bands appearance and demeanour. Peel used to love them apparently but dropped them like a stone when this came out.

Steve and Cliff again - no mockney this time and Doo-doo! Doo-doo! It's Kelly Marie and Feels Like I'm In Love. Doo-doo! Doo-doo! Kelly is dressed in a black jumpsuit with gold trim for Blakes 7 or an office party - back then it was impossible to tell. But the dancers either side suggest she may even eschew all of the above for dinner with Liberace.

pic: Gaztronix

Up next it's Steve n Cliff introducing - Cliff! Wow, how'd he do that? He's so smooth. That's not The Shadows though...I think...no idea to be honest, but if Hank Marvin isn't there then I'm guessing it's not. This is modern Cliff. It's a bizarre performance - the BBC FX Dept are having fun with this one. The band fade in and out around Cliff and shedloads of dry ice. I think the song is called Dreamin', so Cliff is dreaming of the band! Wow! D'you see wot they did there? Crazy Cliff, crazy band, crazy times! Paul Young would steal this entire sound a few years later. Cliff has a very loose arrangement with his tie and nonchalantly plays with his jacket which he casually slings around his shoulder as he sashays and dreams and pouts his way along. Rocking a look best described as 'Apollo from Battlestar Galactica on his day off heading to a picnic with friends in a park'

Countdown from 10-2. Cliff has woken up, his band have vanished and all he's got is his mate Steve. The number one and it's the godlike genius David Bowie with an absolute classic Ashes To Ashes. It's the video - Dave probably has better things to do, or maybe Cliff asked him to the picnic and Dave doesn't want to go - could be awkward. It's the whole video n all. Wright says 'some people say it's his best yet...' - he could be right. (ed. - first week at no. 1 for this Bowie single which knocked Abba off the top spot)

Back to our cheeky chappies now - cheers Cliff, who's off on tour. And that's it Folks. No idea what the end title song is - some very weak disco about All Over The World. (ed. Electric Light Orchestra!)

*in memory of the late, great Tom Hibbert


Thanks for that Gaz. We'll be back to 'normal' next week folks with more Pops fun before The Posh Proms (c) kick in. Laters!

TOTP 80.24 14/08/80

BBCFour repeat here.
Full chart here.

Introduced by Tommy Vance and guest Roger Daltrey.



Just a quick runthrough as we're packing our bucket n spade and going on our summer holiday...

Looking at the charts, nearly all the acts that were on last week benefited from their respective performances (save for Bad Manners who remained at 15) so TOTP had definitely given the record buying public a kick up the backside. Amazingly they seemed to have cobbled together a pretty good show from what else of good there was....


Ultravox - Sleepwalk
Openers Ultravox got the party started with their debut as a group and they were already at no. 29. Midge had already been on with Slik though a few centuries ago as had keyboardist Billy Currie who had d been on last year with Tubeway Army/Gary Numan. Midge is oh so slick with the cameras, never losing a moment to give Bowie-esque gazes into the lens. Another jaw-drop moment for me (for the music not for Midge's crafty looks) although surprisingly this did them little good chart-wise. But they'll be back...

David Bowie - Ashes to Ashes
So much has been said about this song/video already as it's become nigh-on legendary. This was apparently the first time it went on telly and duly shook the nation. Bowie's new one had to be featured on TOTP of course because it was straight in at no. 4. That legendary 'video' practically brought the New Romantic movement out of the underground London clubs and into the mainstream. And we now knew that Space Oddity's Major Tom was actually a junkie.

ELO- All Over the World
Brum's best didn't get much of a look in with their only no. 1, albeit with hot blonde lead singeress, because of the Strike. Here's another cracker from Xanadu though which also did them good. Legs & Co. slightly overdressed this week, but you can't mess around too much with national costumes - might start a war or something.

Mike Berry - Sunshine of Your Smile
Who is this and how did he get here? I've no idea and no time to find out either. Life's too short.
 
Grace Jones - Private Life
Another debut and possibly the first time many had seen her. Epic cool performance and a great single. Love the way she flicks the ash without actually smoking. A Marlene Dietrich for our time.

Village People - Can't Stop the Music
Way past their 'YMCA' best and perhaps they really had better stop the music. or re-invent themselves for the 80s. No, forget that.

Sue Wilkinson - You've Got to be a Hustler..
See Mike Berry above, although perhaps slightly more entertaining. A nation asked itself what a 'hustler' was. Get that woman some hair conditioner.

Abba - The Winner Takes It All
Is it all over already? I've missed out the 'guest presenter' banter and the intermittent peacemeal chart rundowns in favour of brevity, plus the fact that Daltrey is an arrogant burke. But still, everyone's favourite Swedish group are still kings and queens of pop. For now.

Must fly! Ciao!


TOTP 80.9 28/02/1980

Shown on BBCFour as from 19.03.2015

Full chart here

Well with all that Winter Olympics nonsense over, we're back on a Thursday night after Tomorrow's World, with the full 40 mins. worth of fun. Take it away Kid...

Jefferson Starship - Jane
Didn't we have this a couple of weeks ago as chart rundown music? (checks database) ..yes indeed! Three weeks ago when it was at no. 30, and now it's gone all the way up to no. 21. It's going to be a long night.

Elvis Costello & The Attractions - I Can't Stand Up For Falling Down
First 'live' act tonight and it's a bouncy new-wave one which you may recall stormed into the charts at no. 17 a couple of weeks ago and was now at no. 5. Costello is doing his best to look 'cool' by appearing indifferent and un-bouncy but ends up looking like he doesn't give a monkey's. Which may well have been the case.

Marti Webb - Take That Look Off Your Face
Another one from two weeks ago and indeed a repeat of her glacial debut performance with the TOTP orchestra. Gary Numan and John Foxx stand aside - Marti was a chilling female automaton no mistake. "..you didn't sleep good last night.." still grates on me after all these years: one sleeps well, Marti, one doesn't sleep good.

The Vapors - Turning Japanese
It's the bouncy new-wave newcomers slot and this one quite rightly became quite a classic of its genre. Mimed studio performance interlaced with random 'Japanese' images which of course have nothing at all to do with masturbating in prison, which is what the song is actually about. Not that they never told us that at the time. Did Mike Read know?

Michael Jackson - Rock With You
..which is apparently all he wants to do according to 'Kid'. The camera pans right to give a faux-live in the studio effect, but we're not fooled. The BBC could never afford all those laser beams. Here's Jacko kicking off a rather bizarre disco-themed triptych. The single had indeed gone Top 10 although wouldn't go any higher than this.

Liquid Gold - Dance Yourself Dizzy
And from the sublime to the ridiculous. Kid takes into the tacky world of Brit-disco with a glass of ..something, and lead singer duly shows she's partial to a tipple pre-performance, if only for the sake of being to appear to be having a good time. Her co-members are equally as annoying, especially the bare chested (and almost bare everything else-ed) "drummer". This will of course be a huge hit.

Gibson Brothers - Cuba
Staying in the disco-dance theme here are the brothers Gibson (not be confused with the Brothers Gibb) who have chosen a missile crisis as the subject of this cheery number. Legs & Co. have also decided they'd like to celebrate US sanctions by joining along with the band on stage - a TOTP first?
According to Official Charts the song is having its second chance at chart success, after failing to set the nation alight last year. Lucky us.

Peter Gabriel - Games Without Frontiers
oooh! Art-rock! Weird visuals! and (at last) the real sound of the eighties? Gabriel had already gone Top 20 with this which did in fact get his post-Genesis solo career rolling, after the false start with Solisbury Hill a few years back. Could be huge. Mike Reid possibly not playing it though cos it mentions the word 'willy'.

Stiff Little Fingers - At the Edge
Punk-rock time and da Fingers seem angrier than ever. One wonders if Liquid Gold hadn't been the more anarchic of the two though.

Dave Edmunds - I Never Felt More Like Singing the Blues
Better calm down a bit..and we never felt more like going and put the kettle on before time.

The Police - So Lonely
An odd choice for Legs & Co. who had already had a turn with the Gibson Bros. The Police were obviously already at superstar status such that they didn't need to come on TOTP especially considering this was a single which had been dug up from their back catalogue and re-released on the back of previous success Walking on the Moon. Another song about masturbation? Who can say...

Rainbow - All Night Long
Well after Dave Edmunds and all that prancing about we'd better have some proper rahck music... and all credit to this lot, they really do look and sound like a rock band should I suppose. Surprisingly enjoyable, unlike.....

The Shadows - Ghost Riders in the Sky
I think this must be the third time this had been featured for Chrissakes and they haven't got any better. In fact it gets a whole lot worse with the drummer and his so-not-plugged-in syndrums placed at the front of stage. Sooo nineteen-seventies dah-ling, Please Lord let them climb no higher in the charts! (prayer answered)

Blondie - Atomic
This rather lacklustre show is saved by Blondie being at number one, albeit featured via the promo-video shown last week too. Mind you in those days TOTP was probably the only occasion you'd get to see such a thing so hurrah!

David Bowie - Alabama Song
More weirdo art-rock! Not exactly the first thing you think of when discussing David Bowie in 1980 with friends and colleagues, but amazingly this track did really well, evidence that anything new Bowie-related was already selling like hotcakes. Apparently this release was merely "to hasten the end of Bowie’s contract with RCA" cit. Wiki, and had already been going around for a bit (full story here). An interesting quirk in (Bowie) chart history nonetheless, even though even better things were just around the corner.

....so show us the way to the next TOTP! What's that? Presented by DLT?  Who's he?



TOTP 80.1 03/01/1980

It's appropriate that the first show of 1980 was introduced by fresh-faced Radio 1 DJ Peter Powell. As a relative youngster (28 at the time) Powell had his roots in the sixties and seventies but also had his finger on the pulse of newer music and would go on to champion many of the new pop acts of the early eighties. But on with the show..

The Clash - London Calling (chart rundown)
The single was stable at no. 29, which may not have put it in good stead in TOTP terms, but it was an appropriate opener to the decade by one of the more commercially successful punk bands and the song which definitely summed up of the mood of the time. It would go on to reach a peak no. 11 position two weeks later. The eponymous album had been released shortly before Christmas 1979 and would become a classic of the genre and the period. As far as I know the Clash never actually went on TOTP.

Madness - My Girl
The first new TOTP performance proper of the eighties, appropriately featuring the large '1980' numbered background. Madness had already become successful with two top 20 singles in the second half of '79 (One Step Beyond reaching  no. 7 in November) and with this instantly likeable new single they could do no wrong.

Paul McCartney - Wonderful Christmastime (promo)
Definitely a festive 'left-over', about as appealing as cold turkey sandwiches on December 28th, but Macca's synthy Christmas single had gone up one place to no. 6, post-Chrimbo. It would plummet the week after despite this last ditch attempt to push it at the January sales.

Pretenders - Brass in Pocket
This is more like it - melodic pop with a 'new-wave' feel and a slinky 'post-punk' female vocalist to go with it! The single had already rocketed up to no. 5 and would indeed go on to do even better.

David Bowie - John I'm Only Dancing (promo)
Correct title: John I'm Only Dancing (Again), this was a 'left-over' form the seventies in more ways than one. Originally released in 1972, the song was remixed and revived apparently in order to up Bowie's sales, after the moderate success of late 70s singles DJ and Boys Keep Swinging, and to cash-in somewhat on the current dance/disco craze (hence its release also as an 'extended version' on 12"). The single was featured here as a promo-film, and did little to up the songs chart success as it would remain stable at no. 12 the week after. But no matter, Bowie would go on to do much greater things later in the year.

( - the BBC programme website list three songs here which were not featured on the repeat broadcast. I'd be interested to know if these were actually featured on the original broadcast.)

Kurtis Blow - Christmas Rappin'
More left-over turkey and, oh dear, it would also seem to be a Christmas song that time forgot. It may have been groundbreaking in its genre but one gets the impression that the UK/TOTP public was hardly ready for it. A non-chart feature, it disappeared without a trace after this showing.

Billy Preston & Syreeta - With You I'm Born Again
More music from Motown, or thereabouts, although this ballad would fare much better than the above mentioned rappin'. Released at the end of 1979, it was a new entry at no. 24. Apparently from the soundtrack of the film Fast Break (apparently) although I doubt that had much to do with its success. Like it or not, we'll be hearing a lot more of this in the coming weeks.

Chic - My Feet Keep Dancing (Legs & Co,)
Staying with our American cousins, more disco fodder here, as interpreted by in-house dance troupe Legs & Co. Not Chic's best-known song, and indeed it would be their last UK chart hit of a long run which had begun over two years earlier. A steady climber at no. 21, the song would slowly drop back down the charts, notwithstanding Legs & Co.'s admirable interpretation.

Dr. Hook - Better Love Next Time
As was often the case with the first song featured in each programme's running-list (see My Girl above) the song before the Number 1 was usually a new non-chart song, presumably because maximum audience attention would be at the show's opening and  just before the no. 1 (did people just tune in to see who was no. 1?). Anyway it's more American faux-country 'n' western  MOR this week with Union City's finest sons Dr. Hook (formerly Dr. Hook & The, er, Medicine Show). They had enjoyed a UK No. 1 single just a month earlier with When You're In Love With a Beautiful Woman, and although this follow-up and the subsequent Sexy Eyes would also fare well, their UK chart days were numbered.

Pink Floyd - Another Brick in the Wall (Pt. 2) (promo)
And so to the this week's Number 1, the first of the eighties. Ironically it was the Floyd who had knocked the above mentioned Dr. Hook off the top spot in the second week of December 1979, continuing to stay there for some time. There's no doubting Another Brick in the Wall's now legendary status, although far from being a standard pop single, this extract from the concept album The Wall remains one of British pop history's most unlikely hits. Presumably it was the "we don't need no edu-cay-shun" chant, inspired, unsurprisingly, by Alice Cooper's School's Out hit, which appealed to many young record buyers across the land. Despite Pink Floyd's 'rock dinosaur' label, if anything it goes to show that it was the British artists (rather than the Americans) who were producing the most interesting and innovative music at the time (see Clash / Madness / Pretenders above).

Rose Royce - Is It Love You're After (closing credits)
As if to prove my last point, it's back to the yawnsome Motown-y ballads to ease us out of the programme. Not time for bed just yet though: White Rock is on next, so we can enjoy the "thrills, skill and immense courage of the (Winter) Olympic heroes".

See you next week.