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Showing posts with label Jona Lewie. Show all posts
Showing posts with label Jona Lewie. Show all posts

TOTP 80.42 18/12/80

First shown 18th December 1980*
Repeated on BBCFour from 10/12/2015
Presented by Simon Bates
Full chart here

*wee note: I've chosen the exact original date in 2015 to publish this post.

Bates is back and will do us the honours for this, the last 2015-repeated TOTP80. Over to you Symes...



Wow! Quite a party going on here, funny hats and Stray Cats in the background...


The Beat - Too Nice to Talk To
It's been a great year for The Beat, now having had four hit singles (five if we include tears of a Clown from late last year) and a cracking album which remained top 30 for five months. Alas it seems as if the magic was over with this last one as they are swept away with the new-new wave in '81. Perhaps the Soviet soldier-chic was a bad move?

St. Winifred's School Choir - There's No-One Quite Like Grandma
Stuck at no. 2 having been somewhat cheated out of the top spot by the cruel hand of fate. All is not lost however, not for the wee clones at least. Symes must have a niece or nephew or something at St. Winifred's as he clings on to the fact that it might still get to no. 1 for Christmas and yah boo sucks to John Lennon.

The Barron Knights - Never Mind the Presents
Funny hat back on Symes and since this is Great Britain so we couldn't have a Christmas without having a 'novelty' 'Christmas record, could we. I remember this lot being quite popular at the time although being more of Monty Python / Not the Nine O'Clock News man myself, I duly poo-pooed their populist humour. In hindsight however their Pink Floyd "we don't need no educayshun" piss-take is actually quite funny.



More japes now with special guests Little and Large....steps back in amazement...

The Specials - Do Nothing
Such was The Specials' hardcore following that they seemed to get hit after hit with almost no effort, and little radio play, involved. Third single from their 'lounge' influenced More Specials album, which was surprisingly short-lived Top 30-wise. Nice Christmas jumpers, and more dress sense than The Beat and Little & Large put together. The 'second vocalist' who jumps around doing nothing, not even singing much would later be adopted by

Symes plugs some BBC records, then gets so excited about the next artist he gets the song title wrong and also misguidedly tells us it's 'live'.

Gary Numan - This Wreckage
Talking of hardcore followings, here's another artist who had already become a bit of a cult within the space of just over a year, with mega-selling albums, a handful of top 10 singles, sell-out tours etc. Hard to believe we're only just a year after Cars though as this synth-durge with lyrics about God being dead, and "I leave you" in Japanese and all that is hardly TOTP or even hit-radio material. As you're retiring Gaz, might as well get back to the drawing board. Nice festive 'snowman'-chic jumpsuit though.




Robert Palmer - Looking For Clues
Perhaps it was Numan himself who managed to pull a few strings and get his mate Robert Palmer back on the Pops. Palmer recorded a version of Numan's I Dream of Wires for his Clues album: "you scratch my back mate and I'll call someone at the BBC...". Symes reminds us that PAlmer's last single wasn't "a massive hit" and thereby puts the jinx on this one too: stuck at no. 33, the third of five weeks in that hallowed chart position.

Symes reminds us that Christmas Day is coming up next Thursday (who knew??) and that the Pops will be on at 2 pm and not in the usual slot, so that makes a change.

Chart rundown 30-18.


Chas & Dave - Rabbit
The first appearance of the cheeky Cockney duo since '79's hit Gertcha (Cockney rhyming slang for 'gertcha') and now they're back with this song about some lady friend and her 'rabbiting' ie. the art of catching rabbits, which may seem like a strange thing at this time of year. Should've been 'turkeying' perhaps? Unlike Gary Numan, Chas 'n' Dave sing live.

Charts 17-11. Bates is keen to show us what's going up this week. Erm, only Quo & Queen, actually Symes.

The Nolans - Who's Gonna Rock You
In a desperate effort to get some female artists onto the show (despite Chas n Dave's sexist ranting) The Nolans sisters are grabbed by the skin of their teeth at no. 39 and dragged on to brighten the place up a bit and keep the Dads, and indeed The Parents, happy.  Complete with backing band, this is/was a rather feeble attempt at 'disco' and not their best but it'll keep the Nolan ball rolling. And 'rock' isn't meant to be a euphemism for something else, by the way.



Top Ten Time.



Jona Lewie - Stop the Cavalry
Like Symes said, now at no. 3 with his Moog-tuba brass backing band, and of course sleigh bells and the "wish I was at home for Christmas" (clang!) festive bits thrown in. Repeated studio performance.


John Lennon - Just Like Starting Over
"..number one, of course.." cit. Symes. Legs & Co. were absent last week because they were apparently busy rehearsing for the Christmas & New Year's specials. But it looks as though they had to quickly put together a Christmas-themed routine for the deceased Beatle's single...of course. One can always speculate on how the new Lennon/Ono material would have fared had it not been for The Tragic Incident: sceptics may say they would have re-faded into oblivion and faded rockstar sadness, while  others may say that it was a return to form with Lennon's retro-style fitting in with the new 50s/60s nostalgia (although way outclassing the likes of Stray Cats, Matchbox et al), while Ono's more avant-garde pop has already been absorbed into the new wave mainstream. I'd go for the latter theory. Whatever you think, Lennon was brutally murdered and his assassination by an obsessed "fan" was a cruel, illogical consequence of pop-stardom in the modern world.



Hate to have to finish TOTP80 on such a sad note - the omission of the Christmas show in BBCFour repeats here in the year 2015 also another sad consequence of how just a small number of leading figures in 'show business' and public broadcasting spoiled the party for everyone. Hopefully, hoever, said Christmas special will be made available by someone, somewhere and we can bring you the line-up and the usual commentary just for completion's sake.

Until then, it's good night from me.

TOTP 80.40 4/12/80

First broadcast: 4th December 1980
repeated on BBCFour from: 26/11/2015
Presented by Peter Powell
Full chart here

Here we are agin folks and it's December already in TOTP80-land so get ready for some festive previews (the likes of which we now get around mid-October). It's our fave Peter 'Pete' Powell doing the honours this week so let's get started..



Eddy Grant - Do You Feel My Love
Edmond was on a couple of weeks back although we didn't get to see him in post-Yewtree 2015 so justice is done as the long and lanky dreadlocked one goes Top 10 and gets the party started.

Neil Diamond - Love on the Rocks
Let's not get too boisterous though, better get some American AOR in (groan) although we do like it when Pete gets all slowed down and serious.. Some blurb about The Jazz Singer then it's love on the rahcks, now at 27.

Luckily Pete and the studio gang haven't fallen asleep and it's applause and smiles all round as we welcome.....two blokes from Earth, Wind and FIRE!, although we don't get to see one of 'em proper as he's got his back to the camera. New album blah blah blah..Pete wishes them good luck with the single. It got to no. 63. Nice one!

Jona Lewie - Stop the Cavalry
The guys are also treated to the debut od this littel gem which sort of puts us in the festive spirit with, er , grown men dressed in WWI uniforms pretending to play brass instruments. Luckily there's also one on a synth to remind us this is 1980, although he can't help getting his jingle bells out either. Nevertheless this is fine tune which will indeed go on to do well over the festive period and will stay with us to this day. Well, it's on my Xmas CD anyway. Already at no. 15.

Chart rundown 30-22 ....22?

Kenny Rogers - Lady (Legs & co.)
Yes, cos at 21 it's that white-bearded Yank with another slow toon. Legs take it all very literally of course and "Lady, I'm your knight in shining armour.." translates easily into the girls dressing up in medieaval 'Lady' costumes and swan around in a foggy castle setting, occasionally longing after that single golden 'pear' which eventually gets plucked from an otherwise barren tree.Yes, well.. not their best, but perhaps their most bizarre performance of the year.



Charts again 21-17

AC/DC - Rock n Roll Ain't Noise Pollution
..at 17. Here they are agin, not in the Pops studio this time but in a rather unimaginative promo film which could've been made in 1975. Seems like yesterday that they were in the studio but it was in fact February and they've had five non-hit singles out in the meantime. That seems like a helluva lot of noise pollution to us, actually.

Charts again .. 16-11 (Pause: amazing to see how many of the better tracks of the past month or so were fairly plummeting down the charts: Ants, Roxy, OMD, Bowie.... Oh the fickle world of pop..)

St. Winifred's School Choir - There's No-one Quite Like Grandma
"At Christmas all sorts of things happen in the British charts" says wise old DJ Pete. Well, just you wait a couple of weeks mate to see what can really happen. This is one of those Christmas-implicit©
songs which occasionally crop up, especially in a society/chart which is still suffering a hangover from the various Slade/Wizzard/Mus Christmas singles of just a few years ago. I can't and don't really want to remember why this cam to reach the charts and the Great British record Buying Public but there you go. The hard work of 'sound of the eighties' artists like David Bowie, Spandau Ballet, OMD and Adam Ant smashed to smithereens in one fail swoop. At no. 16 and destined to...well, you know.




Break: interview with Mike Oldfield. The erstwhile shy and retiring poly-instrumentalist is now well and truly confident in front of real people, confident enough in fact to wear a lime green tracksuit which he will continue to wear for most of the early 80s. Mike has a new album out and with a couple of flop singles going around he's prime material for a Pops studio interview. Mike also likes flying, playing his many guitars and hopes to go to, er, Israel soon.


The Boomtown Rats - Banana Republic
Well after that unhealthy amount of slosh, better get some punk rockers back in. Or at least what remains of punk rock. The angry sentiment remains however as this song is allegedly a scathing attack on the Rats' native Republic of Ireland from whence the goiys had been banned. To quote their reputable blogspot blog "It is to Ireland what God Save the Queen was to Britain." Blimey!



Top 10. Madness, Spandau, Rats and Grant all going up, Waterman, Kool, Mills and (gulp) Lennon going down.




Abba - Super Trouper
Second week at the top for the Super-Abs who evidently have nothing against their native Sweden but continue to show their world-weary angst "wishing that every show was the last show". Strong words indeed. But just count your lucky stars you're on that stage tonight as your stardom ennui is nothing compared to what is about to happen in New York City.


Playout: Diana Ross - I'm Coming Out
Crowd dancing.



TOTP 80.21 22/05/1980

BBCFour repeat here.
Full chart here.

Introduced by future UKIP supporter Mike Read. In his pyjamas.




Lipps Inc. - Funky Town
This catchy disco number has come into the charts at no. 25 apparently from nowhere, well, no. 70. An interesting record which represents a kind of crossover from 70s disco to 80s synth-pop with it's catchy beep beep tune, and girlie vocals, sax and orchestration. Although of American origin, the record had universal appeal and reached number 1 in twenty-eight countries, including the US. Let's see how it fares in the UK, eh listeners? Oh yeah: Lipps Inc....geddit?

All in all it's a fairly mixed chart with a bit of everything although - save perhaps for the above mentioned Lipps Inc. and the new entry at no. 10 there's still very little to be seen/heard of the 'sound of the eighties'. On with the show...

Lambrettas - Da-a-a-ance
So while we're on the subject of the sound of the eighties, let's go back to the sound of ...the fifties perhaps? Their follow up to Poison Ivy, not particularity brilliant but oddly did quite well for them within a question of weeks.

Michael Jackson - She's Out of My Life
TOTP producers or whoever seem to have this technique of putting a quirky upbeat, possibly 'novelty' song on at the beginning, only to immediately follow it up by a slow one, bringing the pace right down big-time. Not sure I ever agreed with that technique but hey-ho. Here's Jacko again sans frères with this fourth song from Off the Wall which had reached a massive no. 4.  So now she is out of your life, time to go and watch some horror films methinks, Mikey, before we all drop off completely.

U.K. Subs - Teenage
Let's get the punks in again to liven things up a bit. And here indeed are the UK Subs with a follow up to...the previous one. In at No. 32 and wouldn't do any better, understandably. Possibly their last TOTP?

Jona Lewie - You'll Always Find Me in the Kitchen at Parties
Unlike other synth-friendly acts from two weeks ago The Human League and OMD (but there's time yet), Mr Lewie was faring well in the charts so here's another studio performance, this time with different girlie backing singers. TOTP production go all out on this one with full 'kithcen' set up, although The Buggles' rubber gloves don't seem to feature. Still only at no. 27 though.

Karel Fialka - The Eyes Have It
Now here's a surprise - and a very odd one too. Looking very 'eighties' with jumpsuits and keyboards à la Gary Numan, to the fore, our Fialka was a half-Indian, half-Scottish, half- Czech musician and 'poet' (it says 'ere) who made a futuristic electronic based album (Still Life - ed.) and attempted to break the UK charts with this catchy nascent-electro-pop single. Ultimately he failed - perhaps a year or so too soon Kaz?

The Specials - Rat Race
For the much anticipated follow-up to their no. 1 Too Much Too Young, Coventry's finest have done one of those new-fangled music 'videos', no less, to accompany their new single. It was straight in at no. 18 although still not the highest new entry, folks. The Specials were ready with a whole bunch of fresh new material which would later materialise in the 'More Specials' LP, which sort of brought them out of black and white and into colour. I just made that up.

Cockney Rejects - I'm Forever Blowing Bubbles
Tiresome 'punk' version of an old old song which our grandparents may well have heard back in 1919. The tune was apparently adopted as the anthem of West Ham football club soon after and so that's why we have to bear this dirge in the retro-future of 1980, since said club had just won the FA Cup. On hearing of the record's chart success, Arsenal supporters were said to be as sick as a parrot.

Gary Numan - We Are Glass
He's back! Numan's impact on the late 1979 music scene both with Tubeway Army and as a solo artist with no. 1 single Cars is well documented and his importance can never be overstated. By this time Gaz had already reached a kind of cult status thanks also to his triumphant live shows towards the end of '79. So no doubt thousands of Numanoids (and me) rushed out to buy the new single, which was also being advertised as not included on forthcoming album, a shrewd marketing move making it all the more desirable. A bit of a change in musical direction compared to the more sparse electronic style of Cars and The Pleasure Principle album yet it remains classic Numan and possibly one of his last great singles. Being a super-star, Numan didn't make it to the Pops studio but had made one of those new-fangled music 'videos' (sic.) featuring laser beams, dry ice, a new black plastic state-of-the-art jumpsuit and  - shock, horror - a shiny guitar. Oh and he's seen breaking a lot of glass. Although its success was short-lived, We Are Glass would get to no. 5, his best position chart-wise after Cars.

Junior Murvin - Police and Thieves
And continuing in the Pops tradition of putting two contrasting songs back to back with no heed to continuity whatsoever, after 21st Century boy Gary Numan here's some reggae from 1976.. I imagine this one got in the charts a) on the back of the ska/reggae revival and b) thanks to The Clash's cover version, ironically unappreciated by Mr Murvin, included on their eponymous 1977 debut album. Legend has it they got the idea to do said cover version after Police & Thieves became a kind of anthem during the 1976 Notting Hill riots, in which Messrs. Strummer and Simonon gleefully took part. Anyway back to 1980 and here's Murvin doing his thang once more, with moderate chart success to come.

Average White Band - Let's Go Round Again
Has this been on before? Possibly. Is it worthy of any comment? Possibly not. A non-mover at n. 17, it would only go slightly higher the following week.

The Mash - Suicide is Painless
And now for something completely different. For those who'd been wondering where ver Legs had got to, here they are later than usual in the running order, possibly to add to the shock factor? A bunch of smooth singing Americans intoning the joys of Selbstmord to a shmoozy MOR backing was bizarre enough but now we get the girls faffing about on top of it, thankfully not interpreting the song title/lyrics as literally as usual. The tune was originally included in the MASH movie - an adaption of the original novel - and then later adapted as an instrumental for the popular TV series which ran from 1972 to 1983. Noel Edmonds was apparently to blame for reviving the single and making it a hit. And the whole thing gets even more bizarre next week, folks.

Matchbox - Midnite Dynamos
A repeat of the performance from a couple of weeks ago and a bit of a filler as it had only moved up a few places in the meantime to a measly no. 26. Not that there was much else to chose from.

Johnny Logan - What's Another Year
And here he is again, still at no. 1. We may take solace in the fact that we won't see him round these parts for another seven years. Cheers Johnny.

Jermaine Jackson - Let's Get Serious (playout)
Not wishing to be outdone by his bruv Michael, Jermaine was also goin' solo and this one did quite well. No horror movies for him though and he'll be back with his siblings for the Victory album in just a couple of years time.

All in all a bit of a lacklustre show, but I'm sure all the Karel Fialka fans were happy. See y'all next week!



TOTP 80.19 08/05/1980


BBCFour repeat here.
Full chart here.

Introduced by Peter Powell (in a Radio 1 jumpsuit).



Before we go any further let me just say that in the unlikely event of me ever getting a tattoo done somewhere on my body, then this date in history would be that tattoo. Now let's get down to business...


Mystic Merlin - Just Can't Give You Up
And since we're well into 1980 and time is fast running out, why don't we start with a bland disco-instrumental just to get the ball rolling? C'mon Powell, you can do better than this. Mind you they have to dig into the far outer reaches of the charts to get anything interesting and "sound of the eighties" this week. In fact it's a rum old chart featuring a lot of bland disco and heavy metal music, possibly due to the fact that last week we had so much bland disco and heavy metal music. Jimmy Ruffin is the highest new entry after his stint on the wobbly, steam filled tower last week although Whitesnake and Motorhead both do well, the latter up to a massive 15 places to no. 8. Sales of patchuli oil were also said to have peaked. Thankfully Dexy's defend the top spot even though incredibly last week's nos. 2-10 all go down!

The Human League - Rock 'n' Roll (Holiday '80 EP)
Ok cut straight from the wobbly captions into...... what's this? Electronic panels and wires and knobs and stuff? We thought Tomorrow's World had just finished! But no! It's a bunch of funny looking blokes doing a cover version of Glitter's 'Rock n Roll Part 1' but with no drums, guitars and only a tape recorder and those new-fangled synthesiser thingys? Where's Gary Numan? Funnily enough Powell doesn't even introduce this band so we'll have to do the honours: "Ladies and gentlemen, I give you THE HUMAN LEAGUE!" For all the 'novelty acts' which tended to be presented first upon the 'Pops (see Rezillos, New Musik, The Bodysnatchers et al) there really never has been anything quite like Sheffield's Human League up to now. They were already well known to the average Sounds/NME reader and were about to release their second electronics only album, and their semi-experimental electronics-only music could hardly have been classed as TOTP/pop fodder. This glam rock cover was a brave attempt to achieve that elusive chart hit, but one which sadly failed. Legend has it that David Bowie had said that 'one day all music would be made this way'. However, the band in this particular formation would split by the end of the year although the bloke with the funny lop-sided haircut had a cunning plan....
(note: this is the first song/act tonight which made my 16-year old jaw drop to the living room carpet with a mighty thud, and my music tastes - and my life - would never be the same again. But I digress...)

Johnny Logan -What's Another Year?
Oh God it's this wimp again. At least this time he's taken the trouble to put his jacket on properly Not content with being voted The Best Song in the Whole of Europe, Logan has got to no. 2 in the charts. Can it get any worse?

Prelude - Platinum Blonde
Much like The Human League, this one had been 'bubbling under' as they used to say for a couple of weeks. I, and most people on twitter, had no recollection of this whatsoever. Unlike The Human league however they're sporting a whole load of guitars in all shapes and sizes and end up looking and sounding like a poor man's Fleetwood Mac. the lady singer wears a purple jumpsuit to give it an 'eighties' look, but other than that it's rubbish. Or am I supposed to be reading between the lines? Amazingly, this lot are still performing.

Michael Jackson - Out of My Life
Or is that 'Outta My Life'? Anyway this is Jackson's fourth single taken from the album Off the Wall, and not even the last one, which at the time was a bit of a, er, record. Despite having already milked the album for what it was worth this would keep Jacko's chart average positioning high. It's also one of his slowest songs ever fact fans. Even slower than Johnny Logan.

Matchbox - Midnite Dynamos
But don't fall asleep just yet! It's those whacky Matchbox guys with another rockabilly choon to get everyone dancing round the living room. This was the follow-up to the cringeworthy Buzz Buzz a Diddle It, and would in fact better it. Amazingly their "best" was still to come.

Average White Band - Let's Go Round Again (Legs & Co.)
In which the Leggettes dance around in their skimpy swimming cossies which are, er, white.

Jona Lewie - You Will Always Find Me in the Kitchen at Parties
Always loved this one. Someone on twitter said they'd had an 'O' Level flashback and that was definitely the case for me with this song. Always loved the synth sound, although he obviously wasn't aiming to be like The Human League or anything. A bit of a novelty record à la B A Robertson but miles better. Millions also noticed in 2015 that one of the girls on backing vocals was the late Kirsty McColl, although apparently she didn't sing on the record. I'm guessing that Phil Oakey saw these girls though and thought.....guys..what if.....?

Cockney Rejects - Cockney Rip-Off
Yes, here we go again. I think this has been on before but doesn't really do it for me.

Boney M - My Friend Jack
Can't help thinking that Boney M were past their sell by date at this point .. Rivers of Babylon, Rasputin, Hooray Holy-day etc. being very much products of the late seventies. Well I'm glad to say that this was indeed the case and this got nowhere. Obviously a non-TOTP recording as there's too much light in the studio.

Ruts - Staring at the Rude Boys
I do remember this one however although never quite worked out if they were taking the mick out of the 'Two Tone' establishment or what. Never really understood what Babylon's Burning was about either, although it was slightly better than this. At no. 22 and didn't get any higher.

Orchestral Manoeuvres in the Dark - Messages
Now then...if the opening act hadn't been enough to make me feel like I had seen the future - my future - then this performance got me into even more of a tizz. I think I'd been sort of 'following' OMITD (as we used to call them) for a few months since their early single Electricity, and possibly an OGWT performance around the same time as this. But whatever it was, as with Phil Oakey and pals, nothing in my life would ever be the same again. I would soon become the world's biggest OMD fan (fact) and I still adore this song to this day. Peter Powell announced that it was going to be 'a smash' and he wasn't far wrong, even though it would only struggle its way up to no. 26 by the end of the month, but in June would get to no. 13 - wonder why?  Anorak note 1: this was a radical re-recording of the track off their debut album which was a little less powerful production-wise; anorak note 2: the line up here included Dave Hughes on keyboards, roped in for live work and promotion, even though he would be out of the band before their next appearance; anorak note 3 :...I'm an OMITD anorak.

The Undertones - My Perfect Cousin
According to Powell, without this one tonight's show wouldn't have been 'complete'. Ummm shouldn't that be without the no. 1 song, Pete? Or perhaps he was referring to Feargal's not so veiled lyrical reference to The Human League (plays air synth) which brings everything 'full circle'? We shall never know. A surprising inclusion nonetheless as it had crept up just one place to no. 10.

Dexy's Midnight Runners - Geno
Number One again and it's a repeat of last week's where, as legend would have it, they only arrived just in time at the beginning to pick up their instruments and start 'playing'.

Hot Chocolate - No Doubt About It
This was up to no. 6, quite right too.


post scriptum: the Saturday after this show, I went into town and bought these two babes:-


So 'til next week: goodbye!